Thursday, February 18, 2016

A Closer Look: Second Level

Ah the dreaded Second level is the topic of this continuation of my exploration of the dressage levels.

I actually like Second level well enough, but like everyone else, I'm always itching to get to Third from this level be it on my own or with students. Second is hard for a few reasons, let's go through them!

Travers
You can just see me wanting to leap off and run away 
Purpose of the Levels

To confirm that the horse demonstrates correct basics, and having achieved the thrust required in First Level, now accepts more weight on the hindquarters (collection); moves with an uphill tendency, especially in the medium gaits; and is reliably on the bit. A greater degree of straightness, bending, suppleness, throughness, balance, and self-carriage is required than at First Level. 

There's a lot here. But I want to point out a few things- they finally say the horse should be reliably on the bit, implying that First level lets a horse get away with being slightly unsteady at times. It's not saying you can run around off the bit at First and getting a 70, but they won't ding you as hard I guess. That's not been my experience with judging and training though.

Collection, in my opinion, is the key theme here. And they say especially in the medium gaits. Sure you can get away with riding what would be acceptable at First as a lengthening at Second, and you'll probably still get a 6, but the medium gaits are important. Especially as the extended gaits start showing up at Third.

You can tell that I'm really struggling with connection at this point

Look at that, Rico tipping too, he still does that
Second 1

Depending on your strengths (counter canter vs simple changes), you may hate this test or love it. Generally, for a Second level test, it's pretty friendly. There are none of the harder technical movements (no haunches-in or turn on the haunches, only the friendliest kind of counter canter pattern).

The trot pattern is nice and simple- a medium across the diagonal and then shoulder-in for half the long side, ride across the ring, and shoulder-in again. This gets people wiggling, but that across the middle bit you did in First 3 should set you up well for this. This is your first halt with rein back, and yay they threw it right in front of the judge! That's a bit mean. But with this pattern, it's the only place they can have you walk out of it, so I understand.

The canter is complicated, but the 1-3 was fairly complicated too. Some people hate the 2-1 pattern because you pick up your canter at F and immediately you're walking after the first half circle of the serpentine. I think it's a great movement for a strong horse but a terrible movement for a lazy horse. It would have been challenging on Rico, but I'm glad for this on TC (though they will probably change it by the time we make it there). The counter canter is minimal, it's just going across the short diagonal to either a long simple change (walking in the corner, canter at C) or a trot transition. I think this pattern is kind of easier than the 1-3 loop, again depending on the state of the simple changes.

Coefficients are both shoulder-ins, the halt and rein back, and the free walk.

Oh hey look, I used to tip right. Progress. Because now I tip left.

Forgot my gloves at this show, so dumb. You can already see
that at Second, I'm struggling to get him off his underneck.
Second 2

This is a decent test. It once again starts with the medium (get used to that) and then you have shoulder-in, two ten meter half circles to get you across the arena, and then haunches-in. It's a good pattern. It sets you up exceedingly well for Third 3, which has those half circles following a shoulder-in as well (but ending in a half pass, which is related to haunches-in).

The walk pattern includes turns on the haunches for the first time! These can end up being hilariously bad. I should write something about those... They put them on the line between H and M, which is good. On the rail, it's harder to do enormous ones and stay on your line, in this pattern (which persists through at least PSG) you can see lots of people do their half turn and then half pass or leg yield or just turn back onto their line. Doesn't mess you up too much.

The canter is an entire half circle in counter canter to a simple change. This can be rough- to simple change out of counter canter. I much prefer to simple change into counter canter, but that adds a level of difficulty as well, so there's really no winning if they were to change it to suit my needs.

Coefficients are both haunches-in, both turns on the haunches, the free walk, and the last medium trot before centerline. I find that last coefficient interesting. I think it's because that movement is a good test of whether the horse is truly uphill, where they can remain so throughout such a long test. Cool. Not cool if you want to ride it, but cool from an observer's stand point.

Derping along in a turn on the haunches, what the fuck am I looking at?

So wide behind omg. It would be 7 years before we got good ones
Second 3

I like this test.

The trot work is nice, arguably easier than Second 2 since the 10m circle sets you up really nicely both out of shoulder-in and into haunches-in. That 10m half circle wiggly thing can be really tough. Once again your halt and rein back appears in front of the judge, I guess that's just something that you do now.

The counter canter serpentine shows up at this test. Again it's just preference, I find it fine, I like that movement a lot. Much better than the Second 2 counter canter pattern because again I find it tricky to do simple changes from counter canter. The simple changes instead show up across a short diagonal after a ten meter canter circle (a very similar pattern to 3-1). I like that a lot, even though you have to put them exactly over the middle with no rail to help you and they're sort of more on display.

Coefficients are both walk pirouettes, both counter canter serpentines, both simple changes, and the free walk. This means that your canter work is suddenly worth a LOT more. Look at 2-1 and 2-2, at least half the coefficients are in trot. Here? More than half are in canter. Gotta get to it.

I'll be honest, I had a student skip 2-2 last spring. I just don't like the trot pattern this early on (she's doing 3-3 now and it's much easier) and the horse's simple changes out of counter canter were questionable. So she did 2-1 and 2-3.

Breathe, it's only second level. Wait, no, panic.
I used to ride so good guys
Overall

Second level gets a bad rap because it's just hard enough to be annoying and frustrating but arguably not so hard that it's fun and impressive. But the level is important and mastering the movements are part of learning the basics of dressage.

It's really apparent when you look at Third and Fourth level. You're asked for flying changes and half pass at Third, tempis and canter pirouettes at Fourth. The counter canter and simple changes are essential for flying changes (and tempis), the haunches-in and some of the patterns (10m circle and the half circles) is essential for the half pass patterns, and the turns on the haunches prepare for walk and canter pirouettes. Mastering the level is essential if you want to produce a rideable horse for Third and Fourth.

Struggling through some mediums

I think the hardest part of this level is that First level (especially 1-1 and 1-2) is an easy enough level for many different types of horses and for riders who are maybe not as serious. It's quite accessible. Second tests a lot of things: the quality of your own basics as a rider (such as sitting trot, ability to half halt), the dedication of the rider (can't really get there if you aren't riding regularly), the quality of the trainer (lots of trainers can get people to First, but Second is a different ball game), and, yes unfortunately, the quality of the horse. Some horses are just going to find this work easier than others, which takes a lot of the pressure off of the quality of the rider and the quality of the training.

But who doesn't like a challenge?

23 comments:

  1. I want to do all things! I love these posts even if they make me wish I could do something besides walk trot...

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    1. Yah writing this makes me anxious to get back on TC and start working on Training again. But then if I were at Second, I'd be anxiously wanting to move up to Third. Such is life!

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  2. This post is a little bit terrifying but maybe little less so than it would have been a month ago? Haha. Thank you for writing these. Super helpful to get another perspective. :-)

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    1. Yay! I'm glad people get something out of them. I really like writing them, it helps to reflect on the levels. Even if it's slightly embarrassing to post pictures of me and Rico at those levels haha

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    2. I like the pictures because it gives me hope. I would feel very discouraged if you look like you do now back then.

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  3. Second level was so much of a stretch for me when I originally tried. I was still letting Mikey get away with things the couple times I rode it, which amounted to two tests being a half point away from 60% at two consecutive shows. I really got after myself at that point- in the one test I had let Mikey break from canter in the counter canter serpentine of the old test 1. It's not like I let it happen, but I didn't proactively prevent it either. The next year, second level became a very comfortable spot for us, which is part of the reason Third level bombed so spectacularly- Mikey retaliated quite strongly to the rule change that he's not to hold his counter canter anymore, but now I'm going to ask him to swap leads or stay in counter canter. It's scarred me to the point that I plan on teaching Penn flying changes before he ever touches a true counter canter. Let me be a better rider at 2nd level and make Penn stay in his counter canter.

    The German Riding Master that I've worked with gets in a tizzy about 2nd/3rd level. He feels they should be swapped, in that 2nd should introduce the flying change, and 3rd should force you to be able to hold it for counter canter, or even just combine the levels. He's quite funny about it. Of course the levels are more than just those movements, and doing it the way it is makes 2nd level accessible to more people I think, but I'm kind of on board with him.

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    1. I love your comments! They're always so thought provoking (and novel provoking lol).

      I've been on both sides of the lead changes vs counter canter debate. Obviously the horse is most optimally trained when they can do both, when they wait for the aid. But forcing the horse to hold the counter canter instead of change can backfire because then the horse can get anxious about the change or be trickier to put it on when you do start asking. BUT starting changes before counter canter can lead to holes in the changes, since counter canter is such a good exercise for straightness and collection, both of which are crucial in terms of getting clean changes.

      I've done both. Rico got his changes on after First level and before Second. But Rico was older (he got them on just before he turned 10) and much stronger than say a five year old doing First/Second. My little paint horse in training did a TON of counter canter before changes. We tried to put on changes before just for jumping, and he wasn't strong enough. A couple years of counter canter later and the changes came on extremely easily.

      I'm not sure how I'd feel changes would fit in at Second. The thing with Second is that, while it's all about collection, it's not really a lot of collection. I think changes take more collection and straightness than Second requires. If you either have a horse who is naturally talented with changes, already has them, or already rides with as much collection/straightness as a Third level horse, changes will probably be easier than counter canter. But for the average Second level horse... maybe too difficult.

      I also think in terms of the rider, riders are much much better off learning counter canter before changes. In terms of aids, changes are a million times easier than counter canter. Counter canter teaches a rider so so much. I see so many riders who absolutely throw their bodies around in the changes (guilty), but you just can't do that (on most horses) in counter canter. I think it's at a great place for the rider's education, even if it can be hit or miss for the horse.

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  4. I definitely felt like I could do a first level test on my moose creature, second I think we'd struggle bus around lol

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    1. Haha Second always feels like struggle bussing around in general, so you'd fit right in!

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  5. I've heard a lot of people complain about second level because of the sitting trot. I'd never even looked at the tests because a) I don't anticipate getting that far and b) I can sit trot just fine. But reading this makes me realize how much more difficult the movements are than in 1st. Which really just emphasizes to me that I will not be doing 2nd.

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    1. Yah it's definitely a different animal from First. The movements come up super fast and the sitting trot definitely gets some people. I can see why it can be a daunting level from a multitude of different perspectives.

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  6. I love all of your theory posts.

    Second level is what seems to separate out the amateur dressage crowd, based on my experience anyways. I see a lot of jumpers and riders from other disciplines doing training and first level tests, but it seems like you have to actually commit to dressage to go to 2nd and beyond.

    Second level is where I topped out with my last horse (we showed 2nd level just once, then a job change for me, and an injury for my mare prevented us from showing again). I can't wait to get back there.

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    1. It definitely does tend to separate the men from the boys! I think you can get there (and beyond) even if you do other disciplines, but that definitely adds an element of difficulty. One of my dressage students who is gearing up to go Prelim (eventing) this year also did her first Fourth level test last weekend. She's a pretty incredible kid though.

      I think having an event trainer for jumping and a dressage-only trainer for dressage has helped her the most. I don't see tons of eventers going past 1st/2nd if they aren't riding with a dressage trainer on the side.

      That's too bad about your mare, hopefully you make it back there soon! :)

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  7. Second level feels very easy for Bobby right now and now I feel like I'm doing something wrong. I LOVE these posts though, and really all of your theory posts. Such an awesome breakdown of dressage in terms where even the not so educated person can understand them!

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    1. Or you're just solidly at Second level! Yay! I'm glad you all like these posts, I think they're really fun to write :)

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  8. Perfect timing for this since I'm taking my first peeks at Second Level. I'm determined to break free of First! It's a big jump up in difficulty, not something to try without a dressage trainer helping out. Travers currently makes my horse think I've been drinking and shouldn't be allowed to drive.

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    1. Yay!! Haha yah that sounds like travers, TC and I were playing with it before his injury and I'm sure he felt the same way. Definitely a tricky movement!

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  9. I found Second Level so much better than First. I struggled with it, yes, but far less embarrassingly. Part of that is that my horse genuinely has a really good canter. And part of that is that there are finally enough different movements that I was able to choose tests with coefficients that catered to our strengths.

    That said, the mediums felt impossible until this year (and still sort of feel impossible some days), the simple changes were a disaster forever (and until we started really working to put changes on), and the consistent connection SUUUUUUCKED.

    But, now that I'm working on 3rd, 2nd seems so much more achievable.

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    1. It always annoyed me that I'd be working my ass off to move up, and then suddenly the level that was so hard before is easy. Like why didn't I just ride like that when I was at the level below? But then I'd be wanting to move up if it was easy... ugh dressage paradox.

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  10. we aren't particularly close to second level yet, but i'm trying to at least familiarize myself with what's expected. i'm particularly happy to have read your insights about the growing importance of the medium gaits. my mare can really let it rip when we want to lengthen, but my trainer is constantly yelling at me to hold onto the connection and not let her go entirely. i guess that's why haha

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    1. Great! Yah the mediums are really important, they're the one movement that persist from First level through Grand Prix... basically nothing you do at First happens at GP (circles go away at I1, boo) except the lengthening/medium/extensions. Definitely important! You're lucky Iz has such a great one :)

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  11. This breakdown was really awesome, thank you! I've been looking at the Second level tests, mostly just to see what's coming and start putting pieces together now, even if they're not show-worthy for a long time. One thing that confuses the heck out of me is why first has leg yields, but you never ever see them again. I've actually talked to folks who prefer teaching shoulder in and haunches in to leg yields, saying that they're better for the horse (I'm sure there are other reasons, but I can't recall). Coefficients sometimes also seem really inconsistent sometimes, from test to test. All that being said, I can't wait to be far enough along to put together a decent second level test. EEEEE!

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  12. I want you as my trainer. Take me to Grand Prix! I'm sure my trainer will get me there. She likes me as a student because she said I just do what she says. Which makes sense because my hacks are so lackluster and we do fancy stuff in lessons and I'm all like "I DON"T KNOW HOW I'M DOING THIS BUT IT'S HAPPENING" Quite exciting really. I just forget my own buttons lol

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