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| Our last PSG |
But it's pretty family friendly for an FEI test, as it should be, since it's the first one.
Starting at the FEI levels, there is no longer a purpose of the level. You made it. You're here. Your horse is collected enough, connected enough, straight enough. You've won dressage.
Ahaha I'm just kidding.
But seriously, no purpose, but that's not to say that a PSG horse could prance into a GP test with the same extensions and collection and straightness and get the same scores. What it does mean is that we can jump right into what comes up at this test! Aren't you glad that we only have ONE test to go over this post? Writing about Fourth level was a doozy.
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| Best part of this jacket = tails flying behind you |
Prix St George
We start out with a nice medium as we always do, followed by a very kind trot pattern for an FEI test. Shoulder-in down the long side, a volte, to a half pass that ends on centerline. Honestly, the volte is the hardest thing about this if you've been doing okay on your lateral work (you should be, you've been doing these movements since Second and Third, right...?). A volte is an 8 meter circle so it's quite small for some horses. Depending on your horse, this might be fine or this might be a death sentence for your half pass afterward when your horse strikes off the rail a little dizzy.
You do a very normal walk pattern, a couple of walk pirouettes in the judge's lap, an extended walk, then a canter transition. For added difficulty, there is no collected walk after your extended walk. Obviously you don't just pick up the canter from the extended walk with your nice long reins. But it adds difficulty as you don't have very much time to prepare within the collected walk. Good thing that transition happens in the corner so you have a nice short side to realize that your reins needed to be 2 feet shorter before getting to your first pattern.
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| Such kind trot work |
The first canter pattern is a counter change of hand, exactly like the 4-3 pattern with two changes. One on centerline and one on the rail. This movement is only difficult if you can't control the steepness of the half pass. Too steep and you get to the centerline too fast and have to worry about waiting. Too shallow and you are going to have to switch leads and dart back to the rail quickly. But if you have clean changes (obviously you do by now) and a rideable half pass (you should), this is a really easy movement. Especially since you literally just did it at 4-3. You did ride 4-3, right?
The next pattern is the pirouette pattern. You start across the diagonal, then between H and X, half pirouette to the left and hold your counter canter back to C, flying change, and do the same thing the other way immediately, across the diagonal, between M and X, half pirouette right, hold counter canter to C, change. First, just a note that this is your first "canter pirouette" vs "working canter pirouette" which means that you need to make it smaller.
This pattern is killer for a lot of horses. Rico, who struggles with laziness, pirouettes, and counter canter, found this difficult. In the old 4-2 and the now 4-3, your half working pirouettes had a nice gallop down the long side in between, so this PSG pattern is a test of whether your horse can stay up in front of you with a lot of collecting movements. The Grand Prix test tests this quite a bit in the canter work by going from zig zag to ones to the pirouette pattern, so get used to it.
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| Counter canter |
After that pirouette pattern, it'd be nice if they gave you your extended canter across the diagonal, right? But you immediately do one diagonal of five 4-tempis and another diagonal of five 3-tempis. THEN you get your extended canter to change before heading up centerline to halt.
The tempis are what they are since you're stuck with them forever, no skipping out on those. You have five of them now rather than three, which does add a level of difficulty, though for me at least, once I had three, I had as many as I wanted because Rico's changes were pretty decent. I've noticed that this seems to be the case on other horses too, but I'm no FEI trainer.
Collectives are both trot half passes, the collected walk, the extended walk, and both half pirouettes. Seems reasonable.
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| Enthusiastic tempis |
Overall
This test just feels like an FEI test (because it is) from the tempis right after one another, to the endless canter work, to the return of dumb old movements like counter canter and throwing embarrassing movements in front of the judge like changes. Ah, nostalgia.
I think this is an excellent test, giving you a lot to do to prepare you for Intermediare I and the large tour. You can kind of see how each movement was prepared for at the USDF levels- from the progression for changes ending in the 3 tempis at PSG, to the progression of lateral work down to the leg yield zig zag at 1-3 to prepare you for the counter change of hand in canter at PSG, even to the slow progression of the length of all the tests.
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| Pirouettes were never our strong point... |
I love this test. I think it's the perfect amount of cool (look at that cool canter pirouette pattern, those cool tempis, that cool fucking jacket you FINALLY get to
Speaking of... tune in next week maybe.





















